Skip to main content

Usseglio mini-vertical

Having tried the 2005 Chateauneuf-du-Pape from Raymond Usseglio with the Canterbury Wine Tasting Society recently, I wanted to have a proper taste so opened a bottle on Sunday night. It seemed much less evolved than the Canterbury bottle - the only explanation I could think of was that, whereas the Canterbury bottle came from stock, this was one Stef gave me when I visited him at the domaine a few years ago. A different batch, perhaps?

As a comparison, I nervously opened the 2006 last night - if the 2005 was a little too youthful, how would the 2006 come across? Nothing to worry about: this was Usseglio at its most glorious best. Looking back at my notes for the 2006 on the website, they still ring true:

"One of the most impressive young wines I have ever tasted, Stéphane showed this to me alongside his superb 2005. It is even better! The depth and purity of fruit is incredible. The wine is very concentrated with a nose that draws you in for more. Tasted alongside the very good 2005, the 2006 shone out. Probably the best standard wine produced at this estate – and one of the very best wines of the vintage."

I couldn't put it any better now after another two years!

Comments

Popular posts from this blog

Decanter’s top Rhône wines under £20

The moratorium is over. Decanter’s December issue has been published and I can announce our successes in the recent tasting undertaken by their Rhône expert, Matt Walls who has recently returned from a year and a half in the region. If you look on Decanter.com today (November 2020), you will see a link to ‘Top Côtes du Rhône wines under £20’. What the article doesn’t tell you is that the brief of its writer was to taste and rate wines from across the valley in that price range and that the top scoring white wine was actually a Ventoux. No prizes for guessing that it was  Château Juvenal’s 2019 ‘Ribes de Vallat’ Blanc , awarded 91 points, which, at £12.60 is also the best value of any of the white wines on the list: 'From 30- to 40-year-old vines grown on granite south-facing slopes; half of the wine is matured for six months in demi-muid leaving no overt oakiness to the aromatics. Full-bodied, rich and opulent style, very ripe and fulsome. Some mango and pineapple juice. Unmist

Postcard from Provence

With lockdown more or less over, we made a dash to the other side of the Channel and are currently languishing in the Vaucluse  d épartement , home to the wines of Châteauneuf-du-Pape  et al . Mont Ventoux, known to cyclists the world over, is staring at me as I write, only providing a shield from the sun in the early hours of the morning before the heat hits. Exercise here, recently so highly prized (the French were allowed no further than 1 km from home to exercise during their lockdown), is necessarily limited to a gentle morning stroll around the village to collect bread from the  boulang ère.  In time it may be possible to acclimatise but, looking at the locals, I wouldn’t bet on it. France went into lockdown before us, of course, and came out earlier as well so, if we in the UK are fortunate, what I am seeing is a glimpse into the future. We are welcome here – I know plenty of people with concerns about this but it is the Parisians they fear most here it seems. The UK, until

Watching and drinking Perseides concurrently.

Being British, I am obliged to comment on the Provencal weather this summer. Mostly hot with the occasional Mistral wind and, a few weeks ago, a threatened storm which yielded some highly unusual clouds, identified by a friend’s meteorologically talented daughter (moments before o ne of my own clever clogs) as being of the mammatus variety, these being, in effect, upside down clouds which, said expert explained occur when   the cold, moist poc kets of air sink rather than rise. Pic included of clouds over neighbouring property (would you believe me if I said it was sunny over us? No?).   What I ca n ’t give you a picture of bec ause (a) it hasn’t properly occurred this year yet (a brief flirtatio n last night but that’s all so far) and (b) my technological wizardry has yet to master how to tak e a still image of a (literally) flying circus, is tonight’s extravaganza of shooting stars, known as   Per séide s . (Some of you will, by now, have figured where this is going.) The useful peop