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We started off with the white wine, a Roero Arneis 2011. Fabrizio does not want to have anything to do with non-native grapes which is the right choice for him although it may give him something of an uphill struggle when it comes to marketing such wines. Thirty years or so ago, there were few Arneis wines produced; rather, it was used to soften the Nebbiolo, much in the same way as Viognier is used in Cote Rotie. Now there are a good number of these wines around. To my palate, it has much in common with Marsanne (rather than Viognier, but Marsanne is still blended with Syrah at some Northern Rhone wineries) and, whilst it would never be mistaken for Hermitage, there are similarities. The 2011 seems a little sweeter than the 2010 but it still has good minerality and acidity. Good.
The Barbera d'Alba 2010 is more serious than most. You wouldn't know it had seen any oak, the fruit is so intense but, whereas the 2009 seemed to need a few years in the bottle, I could drink this now. This was true - more or less - with the three Nebbiolo wines. Fabrizio makes serious, ageworthy wines but the straight Nebbiolo d'Alba 2010 is a pretty-fruited wine with manageable tannins.
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The last wine in the line-up is the Roero 2010 Sergentin which, whilst not as showy as the Colla at this stage, is perhaps, ultimately, a more sophisticated wine. It oozes elegance, even more so than the other wines, and hints of the multiple layers that will undoubtedly develop over time. I am going to enjoy watching this wine!
As ever, a fabulous set of wines which UK consumers will, in the main, overlook no doubt which is their great loss. Serious wine drinkers should be checking these out and supporting intelligent winemakers like Fabrizio whose total production of 25-30,000 bottles is never going to make him rich but, on the contrary, is so small as to ensure that every bottle has received the attention it needs to make it a truly great experience.
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